Mortal Engines: proof the studio reads its own marketing too literally.

“Tomato tried to leave at intermission.”
Mortal Engines
Masterfully crafted. Un-roastable.
An absolute cinematic disaster.
Many thousands of years in the future, Earth’s cities roam the globe on huge wheels, devouring each other in a struggle for ever diminishing resources. On one of these massive traction cities, the old London, Tom Natsworthy has an unexpected encounter with a mysterious young woman from the wastelands who will change the course of his life forever.
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Many thousands of years in the future, Earth’s cities roam the globe on huge wheels, devouring each other in a struggle for ever diminishing resources. On one of these massive traction cities, the old London, Tom Natsworthy has an unexpected encounter with a mysterious young woman from the wastelands who will change the course of his life forever.
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Public Roast Feed
The science in Mortal Engines has the same relationship to physics that I have to going to the gym: aspirational.
Mortal Engines has the emotional range of a fridge magnet.
Mortal Engines is what happens when a writers' room confuses "ambiguous" with "didn't finish the draft".
Unfiltered Reddit Outrage
Simulated r/movies discussion threads · curated commentary timeline.
Why does no one talk about how mid the writing in Mortal Engines actually is?
Just got out of Mortal Engines and I'm convinced critics are being paid in residuals. Two genuinely good scenes do not make a film. Convince me otherwise.
[Spoilers] Can we discuss that absolutely baffling ending in Mortal Engines?
Director clearly thought Mortal Engines was deeper than it is. There's a difference between ambiguous and unfinished, and this leans hard into the second.
The cinematography in Mortal Engines is doing all the heavy lifting and it shows
Rewatched Mortal Engines last night and noticed even more plot holes than the first time. The motivations don't track at all once you stop and think about act two.
