If Deadly Crush was a meal, it'd be unsalted rice with extra ego.

“The devil tomato walked out.”
Deadly Crush
Masterfully crafted. Un-roastable.
An absolute cinematic disaster.
When a painter rents a secluded cabin to jump start her creativity, she has sex with a ghost and finds herself part of his plan to bring itself back to life.
💀 APPLYING THIRD-DEGREE BURNS…
When a painter rents a secluded cabin to jump start her creativity, she has sex with a ghost and finds herself part of his plan to bring itself back to life.
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Why is Deadly Crush roasted on Roasted Tomatoes?+
Deadly Crush (2018) is served a mixed roast on Roasted Tomatoes with a Burn Index of 63/100. When a painter rents a secluded cabin to jump start her creativity, she has sex with a ghost and finds herself part of his plan to bring itself back to life.
What streaming era or audience vibe does Deadly Crush fit best?+
Deadly Crush works best as a modern catalog staple for horror fans. With a Burn Index of 63/100, pair it with viewers who can handle that heat level.
Is Deadly Crush worth watching according to Roasted Tomatoes?+
Deadly Crush lands at 63/100 Burn — solid for genre fans, skippable if you want a guaranteed classic.
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Unfiltered Reddit Outrage
Simulated r/movies discussion threads · curated commentary timeline.
[Spoilers] Can we discuss that absolutely baffling ending in Deadly Crush?
Director clearly thought Deadly Crush was deeper than it is. There's a difference between ambiguous and unfinished, and this leans hard into the second.
Unpopular opinion: Deadly Crush is the most overrated film of the decade
Honestly, Deadly Crush would be a tight 95-minute movie. Instead we got a bloated runtime padded with B-roll and lingering shots that add nothing.
Hot Take: Deadly Crush's third act ruined what could have been a masterpiece
Look, I wanted to love Deadly Crush. The trailer had me hyped. But sitting through the second hour felt like a homework assignment. The dialogue is exposition stacked on exposition and the score keeps telling me how to feel.
