Berlin and the Lady with an Ermine is a cinematic experience designed specifically for film students who want to feel superior at dinner parties.

“The devil tomato approves... reluctantly.”
Berlin and the Lady with an Ermine
Masterfully crafted. Un-roastable.
An absolute cinematic disaster.
Hungry for a new heist, Berlin summons the gang to Seville and turns an ambitious duke into the victim of his own plan: to steal a da Vinci masterpiece.
💀 APPLYING THIRD-DEGREE BURNS…
Hungry for a new heist, Berlin summons the gang to Seville and turns an ambitious duke into the victim of his own plan: to steal a da Vinci masterpiece.
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Public Roast Feed
Berlin and the Lady with an Ermine treats "worldbuilding" the way a toddler treats a fruit bowl — enthusiastically, briefly, then forgotten.
I've seen screen savers with more depth and fewer unnecessary lens flares than Berlin and the Lady with an Ermine.
Watched Berlin and the Lady with an Ermine so you don't have to. You're welcome.
Unfiltered Reddit Outrage
Simulated r/movies discussion threads · curated commentary timeline.
[Serious Discussion] Is anyone else completely checked out by the pacing in Berlin and the Lady with an Ermine?
Everyone praising the Berlin and the Lady with an Ermine performances must have watched a different cut. The lead is sleepwalking through this and the supporting cast can't save it.
The cinematography in Berlin and the Lady with an Ermine is doing all the heavy lifting and it shows
Look, I wanted to love Berlin and the Lady with an Ermine. The trailer had me hyped. But sitting through the second hour felt like a homework assignment. The dialogue is exposition stacked on exposition and the score keeps telling me how to feel.
[Spoilers] Can we discuss that absolutely baffling ending in Berlin and the Lady with an Ermine?
Just got out of Berlin and the Lady with an Ermine and I'm convinced critics are being paid in residuals. Two genuinely good scenes do not make a film. Convince me otherwise.
