Kuruluş Osman is what happens when a writers' room confuses "ambiguous" with "didn't finish the draft".

“We laughed. Then we cried. Then we left.”
Kuruluş Osman
Masterfully crafted. Un-roastable.
An absolute cinematic disaster.
The epic continuation of Diriliş Ertuğrul, Kuruluş Osman follows Osman Bey — son of Ertuğrul and destined founder of the Ottoman Empire — as he transforms a small Turkic tribe into a sovereign state. Battling the Byzantine Empire, Mongol forces and treachery from within, Osman must prove himself as both a warrior and a leader. A sweeping historical action drama built on faith, honour and the birth of one of history's greatest empires.
🍅 THE DEVIL TOMATO IS LIGHTING A MATCH FOR THIS REVIEW…
The epic continuation of Diriliş Ertuğrul, Kuruluş Osman follows Osman Bey — son of Ertuğrul and destined founder of the Ottoman Empire — as he transforms a small Turkic tribe into a sovereign state. Battling the Byzantine Empire, Mongol forces and treachery from within, Osman must prove himself as both a warrior and a leader. A sweeping historical action drama built on faith, honour and the birth of one of history's greatest empires.
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Public Roast Feed
Kuruluş Osman should come with a complimentary pillow for when the third-act CGI soup inevitably kicks in.
Even the popcorn looked bored during Kuruluş Osman.
Kuruluş Osman is a cinematic experience designed specifically for film students who want to feel superior at dinner parties.
Unfiltered Reddit Outrage
Simulated r/movies discussion threads · curated commentary timeline.
[Spoilers] Can we discuss that absolutely baffling ending in Kuruluş Osman?
Everyone praising the Kuruluş Osman performances must have watched a different cut. The lead is sleepwalking through this and the supporting cast can't save it.
The cinematography in Kuruluş Osman is doing all the heavy lifting and it shows
Look, I wanted to love Kuruluş Osman. The trailer had me hyped. But sitting through the second hour felt like a homework assignment. The dialogue is exposition stacked on exposition and the score keeps telling me how to feel.
Why does no one talk about how mid the writing in Kuruluş Osman actually is?
Just got out of Kuruluş Osman and I'm convinced critics are being paid in residuals. Two genuinely good scenes do not make a film. Convince me otherwise.
